
James Eason, Digital Resources Manager of DJCAD presented a series of best practices for the design master students.
The lectured covered from technical to aesthetic aspects of how to produce a good quality interview video in a simple way.
Equipment
The university provide a whole range of audio and video equipment that need to be booked through the website Connect 2. The interface is not the most friendly in the world and you need to book in advance, not just to use but to charge the batteries, erase the SDCards, etc. It is also crucial to “play” with the equipment a little bit to get yourself used to buttons and the whole interface. So book with at least 1 day before the shooting so you have time to do it.
When looking for video cameras first avoid tapes and look for HD ones (high definition). Panasonic HDC SD20 and SD90 or Sony HDR CX2OE could be good options.

Highly recommended to use a tripod (that you can also book), it will guarantee your video is not shaking.
When booking a camera always take an audio recorder as well. Use the audio as a backup in case camera’s caption end up too low.
Content
Be conscious about time. Be brief and straightforward. Avoid too much information before your core message as well as credits. In my personal opinion credits work better if posted as the video’s description, which also must improve your SEO.
One of the most important things is to know who is being interviewed and their context right at the beginning. It will probably include basic information such as name, age, profession, country of origin… Of course, it depends on the video’s and interview objectives.
Showing the person’s face is crucial to develop trust, but once the audience knows who is talking is possible to keep just the audio and use other sorts of footage related to or describing what is being said, or even just as a visual relief contented while the core message is delivered by the interviewee’s voice over.
The most useful skill to shot a professional video is to use the language of the picture frame. Shooting 2 to 4 seconds for one objective closely and change to another picture several seconds which from a long distance. This two kinds of picture frames take turns appeared in our video will deliver the audience a deep professional impression.
When you shooting a person you are interviewing ,the perfect angle will be shooting from a little above the interviewee’s eye. In this case, the screen will not only show the wonderful face and expression, further probably built a good relationship with trust to the audience.
Lighting
For this kind of video is very unlikely to have a whole set of professional lighting equipment. The standard procedure is to cast light on your interviewee, or at least position them in such way that the natural or artificial lights can illuminate them. Avoid a background brighter than your main subject.
Framing
Generally, try to keep your subject in the same position all the time, if you change the position do it in a bold and obvious way, otherwise will just look unprofessional. Using two cameras instead of just one filming at the same time could bring dynamism to the video, helping to keep viewers interest.
Having just the interviewee in scene with an white background can be a bad option. Having “something going on” or at least more scenario features (a bookshelf, a computer’s with screensaver, people passing by, etc). Again, a trick is to start with the person’s face and then moving to other footage.
Software
As we are not from the Animation or major in Video, highly recommended use the iMove based on the Mac or other simple and flexible software on PC. While MovieMaker on the PC is not good enough to edit the video which over 30 seconds. If you could like to use some transition to rich your video you could learn Premiere.
Sound
Avoid background sound – it can be complicated to find a non copyrighted music to use. Basically, don’t use other people’s music.